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Abstract

In thinking about this volume, questions that come to light are: how does transnationalism redefine aspects of feminist engagement, cultural forms, political causes, (hetero)patriarchal discourses and issues of sexuality and sexual difference? Conceptually, theoretically, and pragmatically, what is the potentiality and trajectory of the literary voices and creativity of African and African Diasporic women writers and artists in their trans-portation, transformation, incorporation, and dissemination as subjects within this movement, who authorize its formative constructs, indexical lens, and its range of permutations? Following the logic of such inquiries, transnationalism trajectory alongside postmodernity constitutes an important underlying rubric of the engagement with the articles in this edition. The two terms— transnational and postmodern, whether intersecting or clashing, depending on genre, area or era, acknowledge and emphasize a generative multiperspectivism to any given set of relations. As such, it behooves us to understand the multiple ranges of engagement that its discourse, creativity, and activism trigger.

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