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Abstract

The Autobiography of My Mother tells the story of loss, abandonment, survival, and resistance. This chapter explores the haunting or ghostly presence of both the living and the dead. The ghosts  of slavery and colonialism haunt the character/s and the text; in retaliation, Xuela/Kincaid  performs a “ghosting” by defying narrative conventions, by blurring the line between fiction, myth,  biography, and autobiography.

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