Abstract
Benítez-Rojo’s concepts of “plasma” and “metamachine” are at the core of this essay to understand Kincaid’s foregrounding of otherness, discomfort and global underground memory in My Garden (Book): (1999) and Among Flowers, A Walk in the Himalaya (2005). Graphing and grafting become privileged metaphors for Kincaid’s work as an Afro-Caribbean.
Recommended Citation
Spartacus, Josette
(2018)
"Graphing and Grafting in Jamaica Kincaid’s Garden Memoirs,"
Wagadu: A Journal of Transnational Women's & Gender Studies: Vol. 19:
Iss.
1, Article 6.
Available at:
https://digitalcommons.cortland.edu/wagadu/vol19/iss1/6
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