Abstract
Through the paradigm of grafting, this article examines intertextual and generic complexities in Jamaica Kincaid’s See Now Then. It considers how the author produces literary and subjective nourishment by harnessing anger as a creative force while offering up one form of resistance to the bad life.
Recommended Citation
Herd, Jamie
(2018)
"Rootstock Or Scion: Grafting Radical Difference In Jamaica Kincaid's See Now Then,"
Wagadu: A Journal of Transnational Women's & Gender Studies: Vol. 19:
Iss.
1, Article 3.
Available at:
https://digitalcommons.cortland.edu/wagadu/vol19/iss1/3
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